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New neurographic drawing, yay! |
I've been spending a lot of time learning, processing, and comforting myself with books and movies after the passing of my beloved sister and mother less than a year apart. When I'm processing that much emotion I tend not to work because thoughts and memories come frequently and I find myself sort of staring and just looking at things like trees and birds and the rainbows my crystal in the window decorates my studio with on sunny afternoons.
So it is with relief and gratitude that I find myself finally able to focus on output rather than all that processing and putting painful things into a more comfortable context. Last night I found myself bored with television and reading and I didn't want to think - dishes were done and the kitchen was nice and clean, so I padded into my studio from the living room and grabbed a brand new block of watercolor paper and one of those gorgeous Pigma Graphic markers I love to use for neurographic drawing.
If you have an interest, there's lots of information available on neurographic work, and methods vary according to who is doing or teaching the concepts. I tend to like learning the rules about various subjects/techniques and lots of times I enjoy bending or breaking them, as I love to be creative in many ways without too many firm guidelines. So I'll share my process here, though it does deviate from the formal procedures developed and taught by Pavel Piskarev.
Once I had settled back into my comfy chair in the living room, I left the telly on but turned the sound down low so it would feel comforting but not distracting. I lit one small beeswax candle because I think having the elements around (fire, earth, air, water) invites inspiration. Generally I sit at my drafting table with its efficient task lighting and proper seating for most of my artwork, but the fun thing about neurographic drawing is that it can be done in very informal settings. So, using a pillow to prop my watercolor block upon my lap, I followed some of the rules as I began crossing the page with simple looping lines traveling in various directions.
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Remember doing this as a kid? |
I've been working on a series of paintings based on my own style of neurographic drawing and the series is called Love Prayers. Right now there are almost 10 paintings "finished" and about 20 more waiting to be done. I write the ideas for new Love Prayers in a text file and pick out whatever seems like it wants to fit once I've done about this much loose work (photo above). But last night I knew I wanted to do the one that says, "Sometimes I just wanna go to a very high place," so I deviously drew my starting lines with that in mind. I liked the subliminal message of rising above all the negative B.S. we're dealing with on our beautiful planet right now - so many of us are doing that any which way we can and I'm right there with ya. Well HA! HA! HA!
Ya see, this is the magic of art: it has a mind of its own! And the best laid plans, even those made with precision and knowledge based on the application of rules - are not completely predictable! So I continued, still thinking I would place objects as originally intended (a person standing with their hands folded and their head sort of tilted to the side, on top of her high place - the mountains). And the rule abiding part of this is of course, to round out the parts where the lines meet. So I did.
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All points nicely rounded. |
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She looks at this point like she's standing, looking down upon us, and I wondered if she was asking me to draw her wearing a tutu. |
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My female figures nearly always have boobs. |
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Ah, her happy place is becoming populated. |